I saw Paprika recently and wanted to give out a review of it.
And then things got weird.
So, this movie... this movie... I really liked it a ton, entirely reminiscent of Inception (although obviously this movie was made first and Inception certainly seems as if it took elements from this movie as well) and some of Miyazaki's films too. I don't know a lot of anime films, so I would not call myself any sort of expert on these things. Hell, animated films in general are really not my thing... although that hasn't stopped my girlfriend from going and making me watch cutesy animated movies rather than the horror I so want to watch.
*sigh* All of that being said, and as much as I complain, this is a really incredibly complex and interesting movie. It's also really strange. It took me so long to understand even what was going on. The film moved so much faster than my brain could process. At ninety minutes it's not a very long film either, but it has a ton of information to give it.
The plot of the film is eerily reminiscent of Inception. There are dream terrorists and a device (called a DC Mini) used to get inside other people's dreams. It's all about dreams, folks! And it works well. I have to say that certain characters worked really well with my personal favorite being the obese Doctor Kōsaku Tokita, the inventor of the device and, strangely, the male love interest. I have to say that I loved how that was handled. It was cute and worked well. Paprika herself is so incredibly confusing, some kind of alter ego of the female lead character Doctor Atsuko Chiba. There's also a detective who seems to have the strangest dream of all and a few other characters besides. All in all the cast is well put together, each character different, distinct, and well-handled from beginning to end.
The plot though... well, it's labyrinthine to say the very least. It involves a malignant dream affecting regular people's dreams. And then it starts getting weird with... uh... eventually dreams and reality merging together. There's a weird piece of the plot involving the chairman of the company who happens to be the root of the malignant dream, but in all honesty I found that piece of the plot so confusing and nonsensical that I just put it up there with the film being anime. Maybe it made sense, but I was paying attention and I have no idea why some godlike root creature has created a malignant dream to take over reality or something. It seemed really contrived in all honesty and a bit of a cop-out. I was reminded incredibly heavily of Princess Mononoke at the final confrontation between the female lead and the Chairman. That's not exactly a compliment coming from me as I did not like the end of Princess Mononoke.
That being said, yes there are some weaker negative aspects of the movie, but they are often overshadowed by the more positive sides of the movie with the characters and the dream elements. I thought those items within the film worked incredibly well. One scene that worked amazingly well was when a character who seemed to be good and then was found out to be working for the Chairman, Doctor Morio Osanai, who basically sexually molests Paprika within the dream world and then tears her away to reveal her alternate persona underneath. There is something incredibly visceral about that scene. It was difficult to watch and incredibly effective at showing the weight of what was happening. Even with the confusing plot, the scene was incredibly well done. Hell, when the detective enters the dream to save Chiba, I was on the edge of my seat, really not knowing what would happen next. I had never expected such dark things to come out of what, in my mind, is essentially a children's movie. (I suppose I didn't quite know that this movie wasn't exactly a children's movie when I saw it. I wasn't expecting the nudity, the blood, and the darkness within.)
In general the movie works quite well as long as the plot isn't looked at too closely. The music and the voice acting is incredible with the music being incredibly strange, and that one song, the song of the malignant dream, being a personal favorite song of mine even compared to other movies. The creepy doll that keeps showing up really adds tension to the movie as well. It keeps reappearing in scenes, eventually becoming a major antagonist on its own.
So, yeah, I liked this movie and I recommend it. It's short and really fun to watch even if the plot is kind of all over the place and half the time I had no idea who the characters were or what their motivations were or anything. I get the feeling that rewatching the movie would allow me to have a deeper understanding of what it is about. And it's a plus that I'm even considering rewatching it.
"I think you might want to try reading a book every now and then to get those creative juices flowing, it sounds like your brain and thinking capacity has disappeared somewhere within your exaggerated sense of self worth."
Showing posts with label Inception. Show all posts
Showing posts with label Inception. Show all posts
Tuesday, April 3, 2012
Sunday, January 16, 2011
Movie Appraisal: Inception (2010)
Okay, I have to collect my thoughts after watching this film. Wow. Just wow. I'm almost speechless. This film was beautiful and extremely well done. This is the kind of movie that every single movie should be. It was wonderful from beginning to end. It surprised me... no, it stunned me. I was expecting something decent and kind of watchable, something like the other films of Christopher Nolan (the director), like Memento or, God help me, The Prestige, neither of which I liked very much. This film was sublime. It was long, but never felt long. It was beautiful and always felt real even though most of it took place within dreams.
It was an exciting experience from beginning to end. The storytelling was top-notch even if it was predictable. (And it was predictable, incredibly predictable.) That's not necessarily a bad thing though. I thought that the film going the way it did was the only way the film could have possibly worked. Any deviation and the film would have been phenomenal and especially not to me.
I'm not saying this is a perfect film, and sure I can criticize and nitpick some small things. The beginning of the film goes very slowly. Some of the characters feel a little thin and kind of unreal, and the whole science-fiction premise is kind of barely based in real science at all. Despite those tiny... and I do mean tiny... flaws, the film is wonderful. Due to the nature of the film and the interpretations you could come out of the film with, the characterizations could make PERFECT sense, as can the slow start, and even the science-fiction premise.
I like films like this. Actually these are the films I not only like, but really love. They are vague and have a huge amount of interpretations and conclusions. This is why I love Jacob's Ladder and 1408 and speak of how good those films are at every turn. Those films have multiple interpretations. They both have such odd things happening that it's hard to believe they are happening in reality. Inception is exactly the same even if it isn't a horror film. It deals with the same arguments of fantasy versus reality and the real versus the unreal. It doesn't show all its hand, and it proves, in my opinion, that even a popular movie can be intelligent and philosophical, unlike drivel like The Matrix.
The story is basically one of a man, Dom Cobb (Leonardo DiCaprio), trying to find a way back to a normal life after finding himself in a bit of a bind. He is a professional dream thief with his partner Arthur (Joseph Gordon-Levitt). They essentially try to steal information from people in their dreams by making a dream world and breaking down a person's mental defenses.
The story unfolds and we find out that Cobb wants to reunite with his children whom he is estranged from for various reasons that I'm not going to spoil. Cobb isn't allowed into the United States for a certain reason and soon after Cobb and Arthur's job fails, the person who they were supposed to steal information from, Mr. Saito (Ken Watanabe), approaches them with a new contract. They accept and the story unfolds from there, bringing other characters into the fold such as Eames (Tom Hardy), Yusef (Dileep Rao), and Ariadne (Ellen Page). (I like how they named her Ariadne since she's "spinning" the web of the dream. Really big pun there, folks.)
The story is labyrinthine and beautiful, a tale being woven together through dreams. As the characters go deeper into the dreams, we, the audience, go deeper as well. We learn the secrets as characters learn the secrets... we feel their pain, know their confusion, fight their fight. It's beautiful and satisfying in every sense of those words. I found myself utterly taken in by the plot, following it as closely as a deer follows headlights. What I'm trying to say is that the story is wonderful and brilliant. It's incredibly hard to find something I dislike here. I love the vagueness of it all. I love how some things don't seem to make a ton of sense. I love how some things aren't explained.
Hell, this movie can make a great comparison piece to Black Swan. This movie succeeded where that one failed. This movie left me wanting so much more whereas Black Swan told me way too much. This movie was visually stunning, but didn't rely on that alone, whereas Black Swan only had visuals to fall back upon because its psychological and plot elements were badly done. The film is so much better than Black Swan that it's hilarious. To me this isn't so much a comparison as it is a slaughter. Inception wins by a landslide.
Another obvious film to compare this to is What Dreams May Come, a beautiful movie that shares some similar elements to this film. I don't even really want to go into it that deeply because both films are so beautiful and stunning that I'd rather not spoil anything about them. If you've seen both films, you already know what my comparisons are, and if you haven't seen both films, then go see them immediately, you stupid fool.
There I go calling my readers "stupid fools". Oh, well... can't do much about it now. It's not like I can just erase it or anything... well, I can, but... then I'd have to move my finger and everything... *sigh*... I simply can't be bothered.
I'm going to gloss over the visual effects here. The movie is beautiful, enough said, but it's not the visuals of this movie that make it beautiful, it's the story, the subtle art of the cinematography, the wonderful editing, the great direction, and the amazing acting. Everything comes together and creates a world and a story that I find hard to look away from. This is a movie I didn't want to end because I wanted to see more. I wanted more to happen... and yet it ended exactly where and how it should and left me smiling.
I do have to mention the acting again. It is superb. Joseph Gordon-Levitt and Leonardo DiCaprio both really did an amazing job, as did Ellen Page. I've never even seen her in anything before, or Joseph Gordon-Levitt for that matter either, and they both do a wonderful job. It was wonderful to see Ellen Page's awe as she descends into the dream for the first time. And watching Joseph Gordon-Levitt was fantastic. He had an interesting character with a unique outlook. He was pretty cool.
Okay, I'm practically gushing over this film... but, to me, it really is that good. I would happily watch this Inception over and over again, like I would do with Jacob's Ladder, 1408, and Stay if I had the time. It's such a beautiful piece, both psychologically and emotionally, as well as visually, and it's kind of inspiring to know that a film like this can go on to not only be made, but to do well in popular opinion. I haven't even touched upon some of my favorite sequences, as the team, gradually decreasing, goes from a dream into a dream within a dream and into a dream within that dream and so on. It works out so well, showing the tension on every level of the different dreams. Some of the emotional bits towards the end are absolutely fantastic and beautiful (I keep using that word!) and work so well in my opinion. Again, I don't want to spoil anything, but if you have a heart at all you have to empathize with Cobb and maybe even want to cry a little bit... not that I did for I am a man, but it does get kind of sad, you know? And I wouldn't necessarily blame even a manly man for crying a little tear out of his eye a little bit at the ending sequences... Yeah...
Anyway, I'm going to stop gushing. Go and watch this film. It's really good and really fun and pretty darn wonderful. It was a great film experience. It made me happy.
It was an exciting experience from beginning to end. The storytelling was top-notch even if it was predictable. (And it was predictable, incredibly predictable.) That's not necessarily a bad thing though. I thought that the film going the way it did was the only way the film could have possibly worked. Any deviation and the film would have been phenomenal and especially not to me.
I'm not saying this is a perfect film, and sure I can criticize and nitpick some small things. The beginning of the film goes very slowly. Some of the characters feel a little thin and kind of unreal, and the whole science-fiction premise is kind of barely based in real science at all. Despite those tiny... and I do mean tiny... flaws, the film is wonderful. Due to the nature of the film and the interpretations you could come out of the film with, the characterizations could make PERFECT sense, as can the slow start, and even the science-fiction premise.
I like films like this. Actually these are the films I not only like, but really love. They are vague and have a huge amount of interpretations and conclusions. This is why I love Jacob's Ladder and 1408 and speak of how good those films are at every turn. Those films have multiple interpretations. They both have such odd things happening that it's hard to believe they are happening in reality. Inception is exactly the same even if it isn't a horror film. It deals with the same arguments of fantasy versus reality and the real versus the unreal. It doesn't show all its hand, and it proves, in my opinion, that even a popular movie can be intelligent and philosophical, unlike drivel like The Matrix.
The story is basically one of a man, Dom Cobb (Leonardo DiCaprio), trying to find a way back to a normal life after finding himself in a bit of a bind. He is a professional dream thief with his partner Arthur (Joseph Gordon-Levitt). They essentially try to steal information from people in their dreams by making a dream world and breaking down a person's mental defenses.
The story unfolds and we find out that Cobb wants to reunite with his children whom he is estranged from for various reasons that I'm not going to spoil. Cobb isn't allowed into the United States for a certain reason and soon after Cobb and Arthur's job fails, the person who they were supposed to steal information from, Mr. Saito (Ken Watanabe), approaches them with a new contract. They accept and the story unfolds from there, bringing other characters into the fold such as Eames (Tom Hardy), Yusef (Dileep Rao), and Ariadne (Ellen Page). (I like how they named her Ariadne since she's "spinning" the web of the dream. Really big pun there, folks.)
The story is labyrinthine and beautiful, a tale being woven together through dreams. As the characters go deeper into the dreams, we, the audience, go deeper as well. We learn the secrets as characters learn the secrets... we feel their pain, know their confusion, fight their fight. It's beautiful and satisfying in every sense of those words. I found myself utterly taken in by the plot, following it as closely as a deer follows headlights. What I'm trying to say is that the story is wonderful and brilliant. It's incredibly hard to find something I dislike here. I love the vagueness of it all. I love how some things don't seem to make a ton of sense. I love how some things aren't explained.
Hell, this movie can make a great comparison piece to Black Swan. This movie succeeded where that one failed. This movie left me wanting so much more whereas Black Swan told me way too much. This movie was visually stunning, but didn't rely on that alone, whereas Black Swan only had visuals to fall back upon because its psychological and plot elements were badly done. The film is so much better than Black Swan that it's hilarious. To me this isn't so much a comparison as it is a slaughter. Inception wins by a landslide.
Another obvious film to compare this to is What Dreams May Come, a beautiful movie that shares some similar elements to this film. I don't even really want to go into it that deeply because both films are so beautiful and stunning that I'd rather not spoil anything about them. If you've seen both films, you already know what my comparisons are, and if you haven't seen both films, then go see them immediately, you stupid fool.
There I go calling my readers "stupid fools". Oh, well... can't do much about it now. It's not like I can just erase it or anything... well, I can, but... then I'd have to move my finger and everything... *sigh*... I simply can't be bothered.
I'm going to gloss over the visual effects here. The movie is beautiful, enough said, but it's not the visuals of this movie that make it beautiful, it's the story, the subtle art of the cinematography, the wonderful editing, the great direction, and the amazing acting. Everything comes together and creates a world and a story that I find hard to look away from. This is a movie I didn't want to end because I wanted to see more. I wanted more to happen... and yet it ended exactly where and how it should and left me smiling.
I do have to mention the acting again. It is superb. Joseph Gordon-Levitt and Leonardo DiCaprio both really did an amazing job, as did Ellen Page. I've never even seen her in anything before, or Joseph Gordon-Levitt for that matter either, and they both do a wonderful job. It was wonderful to see Ellen Page's awe as she descends into the dream for the first time. And watching Joseph Gordon-Levitt was fantastic. He had an interesting character with a unique outlook. He was pretty cool.
Okay, I'm practically gushing over this film... but, to me, it really is that good. I would happily watch this Inception over and over again, like I would do with Jacob's Ladder, 1408, and Stay if I had the time. It's such a beautiful piece, both psychologically and emotionally, as well as visually, and it's kind of inspiring to know that a film like this can go on to not only be made, but to do well in popular opinion. I haven't even touched upon some of my favorite sequences, as the team, gradually decreasing, goes from a dream into a dream within a dream and into a dream within that dream and so on. It works out so well, showing the tension on every level of the different dreams. Some of the emotional bits towards the end are absolutely fantastic and beautiful (I keep using that word!) and work so well in my opinion. Again, I don't want to spoil anything, but if you have a heart at all you have to empathize with Cobb and maybe even want to cry a little bit... not that I did for I am a man, but it does get kind of sad, you know? And I wouldn't necessarily blame even a manly man for crying a little tear out of his eye a little bit at the ending sequences... Yeah...
Anyway, I'm going to stop gushing. Go and watch this film. It's really good and really fun and pretty darn wonderful. It was a great film experience. It made me happy.
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