Movie Appraisal: Graveyard Shift (1990)

We're going to Hell... TOGETHER!

Graveyard Shift is the perfect late 1980s/early 1990s horror film. And what I mean by "perfect" is that it is the representation of all that is the horror films from this period of time. From the hair, to the clothes, to the acting, everything here is wonderfully representative of this time in horror... especially the dubbing. Man, I love that dubbing where a character is heard shouting a bloodcurdling scream but is barely opening their mouth. Even the credits get into the action, having lines remixed into the music. It's absolutely wonderful. This movie also has some great lines and much better acting than you might expect from a movie of this... uh... calibre. Yeah, I'm going to use that word here. Directed by Ralph S. Singleton, and starring David Andrews as the drifter Hall, it is a fun ride of a horror movie that has some genuinely creepy moments.

So, the story, based off of a Stephen King short story of the same name from his Night Shift collection, is only somewhat like its original story with a much more upbeat ending than the story at the very least. Well, more upbeat in that somebody actually survives the underground sub-basement of the story. That really doesn't mean the story has an upbeat ending though. It's honestly pretty dark. It's one of those movies people seem to forget about easily. It's fairly similar in premise to many horror movies, but this one is so well executed that I do wish that it was better remembered. With only a 13% rating on Rotten Tomatoes, I have to wonder if that website is ever effective in telling whether a movie will be watchable or not. When Black Swan gets 87% and this great horror movie gets 13%... well, that's when I stop listening to Rotten Tomatoes (not that I ever have anyway).

Graveyard Shift starts out with an abandoned textile mill being reopened after somebody dies in the beginning, presumably from the very monster that is so central to the plot. The mill has a ton of water damage in the basement (and eventually sub-basement when the characters get there), and crews are hired to see that it all is cleaned out. The problem besides the water damage though, is that there are a ton of rats all over the basement and the mill itself. And these are no ordinary rats. They are much more than ordinary rats. They seem to have evolved in the basement of the mill to be incredibly intelligent, with at least one of them becoming a "super-rat" that is more like a giant bat creature of EVIL proportions. Throughout the movie characters are killed and eaten off by both rats and the super-rat alike. It creates tension and a great atmosphere for horror. The rat-creature is effectively terrifying, and never quite shown in full. It is like a hairless bat creature, and works to evoke terror in the viewer. It is often shown as moist, with red rivulets of moisture coming off of it at all times, probably indicative of the red water the sub-basement seems to harbor.

The rats used in the film seem to be all real rats, and the effects even besides the rats are actually all quite well done. It makes the movie much better when real things are used rather than some CGI nonsense. The acting is then related to what the actors can actually see and respond to, and it works incredibly well here. The acting is also legitimately well done, with really great performances from Brad Dourif, who plays a creepy rat exterminator, Stephen Macht, who plays the actually evil foreman/manager of the mill, Warwick, and Kelly Wolf, who plays the lead female of the movie, Jane, who is also the love interest of Hall. These three actually all have really good performances for a movie of this type. You don't expect much, and then are surprised by the great performances... at least I was. They have some really great lines too, much better than almost any given "great" movie today. (Okay, I'm a little bitter at the line-up of movies I see in today's market, okay?) Stephen Macht especially shines here as the major human antagonist as well as one of the sleaziest and most interesting characters ever put to film. His voice alone is brilliant and worth watching the film for, but honestly, I just truly enjoyed watching the man act. He definitely knows his craft. I could literally make this an entire review of how awesome Stephen Macht is in this movie, but I'd be digressing all over the place. While he is fun to watch, he is also easily hateable. And it works really well when you want him to die by the end of the film. Brad Dourif is always great, so it's hard for me to say anything else about him. He definitely has one of the best speeches in the film, but is also, sadly, absent from a good portion of the movie. Again, this movie should be seen for the performances alone, but the horror, the sets, and everything else in the movie really work quite well.

The red water under the graveyard and the mill is a nice touch even if it's never explained. I have no idea why it's red, and nobody else seems to either, but it works incredibly well at being different and interesting. The whole aesthetic of the movie is brilliant, basically being set in a crypt-set throughout the movie without the movie ever acknowledging it. It's all in the "basement" and "sub-basement" even though it always seriously looks like some creepy crypt or something. There is a beauty in the set design that is both wonderful and horrifying.

The bone pit that shows up late in the movie is also an oddity. Why are there so many bones? How can there be so many bones? Are they all human? I can't imagine they all are, although in a movie like this you'd better damn well believe they're all human. A movie like this doesn't mess around. It doesn't lightly tip-toe over the fact that a thousand people were murdered by the rats, their flesh eaten away, and their bones left in a pit in the ground. I suppose the bones could be from the graveyard too... the graveyard that sits in water inexplicably above the subterranean cave of rats and super-bat-rat. It doesn't matter that none of it makes any sense. It just matters that it looks fantastic and does work.

There are some random slowdowns throughout the movie, often highlighting ACTION SHOTS. It's a very 1990s thing to do, but is also a nice touch. I can't say that I didn't enjoy almost every ACTION SHOT even if they did feel slightly out of place. Ralph S. Singleton does a great job directing, even if this was his only movie direction. I feel like this man should be directing everything and was sad to find out he's directed almost nothing at all. He makes this movie feel like a John Carpenter movie. In the Mouth of Madness and Prince of Darkness have very similar feels to them, and They Live! has so many similarities (in some ways) that I actually have a hard time believing that Singleton didn't borrow a bit from Carpenter. And this is me praising the direction of the movie. I think Singleton did a great job making this movie feel great. I can't complain about a job well done.

The music is very good as well, definitely putting me in the mood for horror. It does a wonderful job at playing the tension up as well as exciting the movie-watcher for any particular scene. And, you know something? The scenes often work. The set-up is all very good, and the pay-off at the end is satisfying even if it is depressing. And the end of the film is incredibly gory even if it is a wonderful pay-off, but gory works for a gritty film like this. Gritty makes this film work on more levels than just cheesy 1990s horror. It makes it work as a great horror film as well as a little cheesy in parts. The funny thing is that I found this film much less cheesy and much more terrifying. But I think others might have other opinions on that.

One last thing before I do my best to recommend this film, Warwick is always there. Dude seems to always be skulking in the dark of the room, appearing whenever anybody complains. I have no idea how he does it, but every time you think something bad is going to happen or people are getting riled up, it's either going to be rat-bat-monster eating somebody, or Warwick suddenly there with his smug face on, ready to call out or backhandedly insult somebody. As I said before, this movie is worth watching for Warwick alone. He is literally the worst person on Earth, but I love this character. He's so unapologetic and terrible, and with the amount of screen-time and lines the guy gets he's almost the main character. So, seriously, watch this film for him if nothing else.

Now, I have to recommend this flick. It is a wonderful watch from beginning to end. While it does have some drier parts, it often moves at a good clip, and never overstays its welcome. Clocking at only ninety minutes long, it doesn't drag, and has enough characterization, horror, and good times to go around. It's a forgotten gem, as well as being a great movie for this time of year. It works well as a horror movie, and I just can't help putting my seal of approval on this interesting slice of the 1990s.

Movie Appraisal: The Dark Side of the Moon (1990)

Recently I've been enjoying some sweet space horror movies. I've always liked the genre, especially with some spaceship floating through space and finding something waiting out in the cold darkness. It's always been fascinating to me. I mean, look at the tagline of this movie: "Something is waiting." This movie is about space, anything could be waiting. Anything at all. It's what makes space so fascinating, and it's what makes space a perfect place for all the best kinds of horror. You have to be creative when you use space as a medium for sci-fi and for horror. It's not just regular movie monsters jumping out at you, but can be anything from creepy aliens to something very different. Hell, it can even be ourselves. Sometimes we are the demons.

The Dark Side of the Moon was a direct-to-video affair from 1990, directed by D. J. Webster and starring some actors who I recognize and some whom I've never seen before. Joe Turkel is arguably the most famous of the cast (being in Blade Runner will do that for you), and besides my vague recognition of Alan Blumenfeld, Turkel is really the only actor in this movie that I've seen in other sources. I will say that for a direct-to-video movie, it's pretty high quality. There are very few effects, which is a good thing. When they do show up, they're not the best things I've ever seen. Most of the movie's charm comes from watching the actors do their thing and watching the story unfold.

Now, before I get far into this, I have to say that I have a special liking for these types of movies, and I really did enjoy this one. Again, kind of a cheaper sci-fi horror/space horror affair, but it's competent and pretty fun to watch. It has a pretty standard, almost SyFy channel-esque plot and plot twist at times, but the acting and the cinematography are MUCH MUCH better than most direct-to-video crap I've seen in the last decade or so. Hell, this is better than most of the movies I've seen in theatres. I mean, I'd much rather watch this than the travesty, the absolute abomination, that is Black Swan. That movie still makes me angry even almost two years later.

The film starts out on a maintenance spaceship going to fix a satellite only for all systems on the ship to fail. It moves quickly as the crew tries to figure out what's wrong despite all of the systems being green. The ship's computer, a robot woman... uh... thing... named Lesli, tells the crew that nothing is wrong, and yet the ship is rapidly losing both air and heat, and the systems still aren't responding. Now, I have to take a moment and talk about Lesli. Her character is utterly baffling to me. She's a robot computer thing controlling the information of the ship and such, but she's also somehow a beautiful woman for some reason. She never moves out of the chair she's sitting in, and she never truly has any real relevance to the plot beyond being used as an exposition machine. She has a beauty mark and a whole lot of cleavage, but never is shown to have any effect on any of the male crew members who treat her as a machine and nothing more... all the while the one female crew member, Alex, is hit on by basically all of the slimebag characters. Lesli also seems to have some element of artificial intelligence rather than just being a computer, but I'm still baffled. Why does she exist as an actual person? Can she move out of her seat? Can she move at all? Why was she made like that? Does she have functionality close to what a human would? Why didn't they simply make her a gynoid then? She became kind of the central question to me. She was treated as an utterly normal thing to have on a ship (maybe a little experimental with Joe Turkel's character taking care of her, but still...) and it seemed that most of the suspicion for earlier events of the movie fell onto her, but she was never really utilized. Why didn't she do anything? Why was her presence never really a thing? Why did the antagonist presumably try to take her over? And more importantly, why did he fail? I was much more interested in what the hell Lesli was and what she represented and how she was being portrayed than I was in the actual plot of the movie. I still have no idea why she existed in her form in the movie besides being good to look at, but why waste the resources and the time and money and such to have that character when a computer would have been sufficient? I mean this as a question both in the universe of the movie and to the filmmakers. I mean, Camilla More did a fine job as the character, but I'm still baffled by Lesli's presence in the film. I guess if I had the choice I would have used her in some way, used her to make a statement or as a central protagonist or ally to the antagonist. When Joe Turkel's character Paxton goes rogue, I assumed he would shut off control of Lesli's character. It was set up earlier in the film that he could do that with a swipe of his hand, just shut off certain controls to certain crewmembers. That's why I thought he was visiting her near the end of the movie. But no. He went to visit her so she could tell him to back off... and I guess he did? I'm so baffled that my head hurts. I could go on about this for a very long time. It's easily the most confusing and most interesting part of the film. It sets it apart from other films of this type, but still has no reason to be in the movie. Why is she there? What is her purpose? Why wasn't she put to better use? I mean... if I has a robot that could move and was humanesque... well, I would have sent her into the shuttle the crew finds, instead of risking the lives of the crew. Okay, I'm going to stop. I could keep harping on this for a long time.

So, anyway, the ship finds another ship, this one a lost space shuttle, drifting towards them and then eventually docking with them. Nobody is alive on board though. The shuttle does give them both air and some hope, but that doesn't last long. The shuttle has a ton of water damage for seemingly no reason and eventually they find a body in a standard sci-f horror way. The doctor, Dreyfus Steiner (played by Alan Blumenfeld), discovers that the body has a perfect triangle cut into its stomach... and that's when the plot gets a little ridiculous. It all has to do with the Bermuda Triangle and a corresponding triangle on the dark side of the moon, and all that space in between somehow. It's a really silly plot, really SyFy movie schlock, but it actually works kind of well as long as you don't think too hard about the whole thing and how it would work because the moon... you know... orbits the entire Earth and the Earth rotates itself. Also, since the FAR SIDE OF THE MOON is not always dark, there really isn't a DARK SIDE OF THE MOON. It would be like calling the where it is night on Earth "The Dark Side of the Earth." It's silly. (Yes, I know that the term references a radio blackout to and from Earth from that far side of the moon, but most people think of it as an actually dark place which is totally false.)

Yeah, the sci-fi of the movie is weird. Thinking about the movie too long in most aspects of it will make your head ache. It has a Biblical plot tied in with the Bermuda Triangle too... because why not. And let me tell you that the religious aspect is dealt with in the most awkward way possible, showing some of the crew having religious affiliations just fro the express purpose of showing parts of the crew having certain religious affiliations. It's not well handled, with the captain crossing himself at one point despite never mentioning religion the rest of the time, the doctor being Jewish suddenly and inexplicably before having it forgotten before and afterwards, and the body of Gotier having a cross around its neck. And the Devil is some kind of parasite that leeches onto a certain body and gets transmitted through the triangle in the possessed people's stomachs.

The effects for the devil are ridiculous. He's not scary, quoting Biblical passages at me and being so over-the-top evil. It's kind of silly rather than terrifying. There is a scene in this movie as well that's also kind of baffling as the Devil goes to take over his first living victim. There is a weird nude scene... but I already found the objectification of women off here with Lesli. With Alex showing her breasts its all kinds of why? What I mean is that in some of these movies the girls get naked for some reason... a reason that I guess only the filmmakers know. I don't mind it. I mean, seriously, who minds a little nudity from time-to-time? But in my opinion the nudity felt incredibly awkward and out of place in a movie that was kind of sterile and felt like a good made-for-TV movie. I mean even the gore effects are pretty tame... and yet... nudity?  I guess it goes together with the B-movie status of most of these films, but I find it kind of strange. I haven't seen too many other movies this summer (besides Possession) to have a girl show off her assets. And it's weird that it would be this movie to be the first in a while to have a girl get naked in front of the camera.

Anywho, the pacing of the movie is pretty good. I found myself interested in the movie the entire time. I was never bored, never wished for it to be over. The ending was good, although I think some people would be unhappy with it. I honestly feel that it should have ended with the Devil succeeding... but that's okay. It worked well the way they did it.

I honestly enjoyed this movie quite a bit despite certain failures of the plot and sense. I enjoyed the characters, enjoyed the situation, and found the movie acceptable in most ways. It is highly reminiscent (even though it came out before these movie) of Event Horizon and Sunshine, but much, much worse than either of those films. I still haven't reviewed Sunshine, have I? That's a movie I have to get around to watching again. Hell, I've been wanting to watch Event Horizon again too. I love that movie so much.

Well, anyway, I guess I'm moving into doing some space horror movie reviews. I was on an Asian horror binge for a while, and I do have more to watch and more will be incoming, but I need a break from those movies at times. The ones I've seen are all very similar to one another and most... although being creepy at times... are rather dry and boring at others. I recently took some time and saw Whispering Corridors and Apartment 1303, a Korean and a Japanese movie respectively, but haven't written reviews of either of them yet. They'll be coming, I just don't know when. I also saw Roger Corman's Galaxy of Terror, and I can't wait to put out a review of that.

Uh... oh no... I'm getting away from The Dark Side of the Moon! It's a decent movie, but one I would not recommend unless these types of movies are your thing. There are many better space horror movies, and this one is more average and kind of dumb when compared to others. I enjoyed it though although as you can tell I had way too many unanswered questions that I was baffled by in the end. That took away from my ultimate enjoyment of the movie.

Movie Appraisal: Jacob's Ladder (1990)

Jacob's Ladder just so happens to be my favorite horror film of all time. Why is this? Because it is a damn good film.

I'm not going to explain much about its superb plot, but I will say that it is single-handedly the best psychological horror film I've ever seen, and when my genre of choice is psychological horror, that is saying something. Now, I understand, a lot of people don't know about this movie. A lot of people don't care either. What I'm saying is that people should care. This is one of the few films that people should watch and go, "Wow, I... I don't know what to say... but I like it!"

The chances of that happening are low though. If you don't like David Lynch of some of Cronenberg's trippier movies, don't watch this one. Seriously. It's much more... out there than a lot of movies, and that's not a bad thing, but it's something that most seem to find highly disagreeable.

This film has a story, but it is really weird, and as I said before, I kind of would like to avoid getting into it. instead I'm going to talk of the fantastic visual effects and... well, the look of the movie. It pioneered a lot of psychological horror tropes, including the fast-shaking head kind of deal used in many games and movies afterwards, as well as introducing some of the creepiest scenes in a mainstream type of movie ever.

Yeah, I know there are some trippy films out there, but how many of them are mainstream? How many of them are Adrian Lyne who also happened to direct Fatal Attraction and Indecent Proposal? Actually seeing the other movies he did, it's interesting to note just how different Jacob's Ladder is from the rest. It's actually quite fascinating, especially because Lyne did a really good job with the movie despite not exactly having a background in making movies like this.

I guess this movie can be hard to follow. Honestly, it took me watching this movie twice to actually get some parts of it. It's complicated and there is heavy symbolism in almost every character, situation, and visual.

The film is put together beautifully. I can't help recommending this film to everybody I meet, but I will give a warning: This film is not for everyone. It's tough to watch at points, and it is also very much a horror film despite some beautiful visuals and filmography.

I could watch this film over and over again and never get tired of it. I find that I literally cannot find any real flaws to this movie. I wish all movies were this movie or like this movie because then I'd be happy and wouldn't have to rant about stupid freaking movies like Cast a Deadly Spell.

Television Show Examination: Twin Peaks

Ah, Twin Peaks... I absolutely love Twin Peaks. Now, I understand, there are many things wrong with Twin Peaks... the second half of the second season for instance, but also the whole "soap opera-esque" essence of a good portion of the show. Some of the actors weren't all that good, especially those who played some of the more normal "villainous" characters like Leo Johnson and Ben Horne. I also have to give a special mention to James Hurley as one of my least favorite characters in anything. His whole storyline made me want to chew on bricks and then bash his character over the head with various cement objects.

All of that being said, I still love Twin Peaks. It is one of the strangest, most bizarre, and really thrilling television shows ever to hit the small screen. David Lynch, the creator of Twin Peaks, really knew what he was doing in this. After making Blue Velvet he made another small town America gone wrong kind of story out of Twin Peaks. Both even had the same actor starring, Kyle MacLachlan. There are similarities in both, but a ton of differences as well. I found Blue Velvet perfectly all right, but not amazing. there was very little that I found incredibly memorable. Twin Peaks on the other hand has a huge amount of memorable moments and lines and characters and everything.

I'm actually on the fence about Lynch as a director. I do like a lot of his films, but I also equally dislike a lot of them. Mulholland Drive and Inland Empire particularly earn my ire, but Lost Highway happens to be one of my favorite films of all time. Twin Peaks has a surreal quality to it that it is pure Lynch without going off the deep end of not making a lick of sense. Sure, there are some things that are very confusing, but most things make sense in the context of the world that the characters are in.

All of that being said, Twin Peaks is an exciting story with twists and turns along the way. It is a surreal and mature way to look at a young woman's murder in a small town. There are visceral acting performances by some of the actors in the series and one scene in the second season in which a fairly well-seen character up to that point was murdered was actually pretty terrible to watch. It felt like watching an acquaintance die in front of your face with no way to prevent it.

My favorite parts of the story-arc of the series was very obviously the main storyline and trying to find out who murdered Laura Palmer and why. The surreal nature was also astounding. How many other television shows or movies have the balls to show a surreal quality? And of course, that surreal nature of the show (and the second half of the second season) was the show's ultimate downfall. And that's just too bad. Intelligent series are hard enough to come by these days because of so many reasons. Executives at networks want mindless comedy or explosions, but very few shows will show real drama, real acting, real questions, or surreal or meta-examples of humor or drama... and that's terrible. It's terrible that a show like Twin Peaks airs only two seasons while an idiotic show with base humor and no intelligence at all will air for an indefinite amount of seasons. It make me wonder about humans and our own sad lazinesses, our indifferences to actually learning something, or thinking hard about a situation.

I'm going philosophical over this, but Twin Peaks deserves this kind of discussion. It deserved better than what it got. Then again, would the series have continued being ridiculous like in half of the second season, or would it have gotten better after the season (and series) finale that was easily one of the best episodes of the entire series? That seems to happen though. Even through a terrible season a good show can come back and be just as good as it ever was. The second season of Twin Peaks reminds me of an equally intelligent show (at least in its beginnings), Sliders, which fell apart in its third season to come back with a few very good episodes towards the end of that season. (Then it fell apart in seasons four and five, but that's another story.)

I guess Twin Peaks will always be something I enjoy, something that makes me angry because it was cancelled, but also something that makes me so happy because it existed at all. It really was a catalyst in my own writing and storytelling techniques, and Agent Dale Cooper (played by Kyle MacLachlan) became one of my heroes in a way. His character was so weird, so confusing, but so focused and competent that it was hard not to look up to him. He was facing everything from weird dreams with backward-talking midgets, getting shot in the line of duty, love interests, giant men, all the way to an evil, chaotic spirit man named BOB. I mean, that doesn't even make sense, but it is awesome, every bit of it. The Red Room... Laura Palmer... all these things stick out in my mind along with other more humorous examples of things in the show like the following picture for instance: Yes, those are a bunch of donuts in front of an FBI special agent and a sheriff of a small town.

What other show could get away with that? None. Yeah, you heard me.

Anyway, it's a great show. Check it out sometime if you haven't, especially if you're into weird or surreal things, or just a person who likes a good story. Hell, if you like David Lynch check this out, and if you don't check it out anyway. It's not much like his other stuff in many ways. You'll be shocked by some of the scenes and some of what happens throughout the plot, but you'll also find solace in the fact that it all ends terribly. There is no happy ending here just like real life. People die, things happen, and the consequences of everything can be more outstanding than one could ever imagine. And if you don't care to see the series, then just go out and have a damn good cup of coffee. That will be enough to console me.