Showing posts with label David Twohy. Show all posts
Showing posts with label David Twohy. Show all posts

Friday, January 24, 2014

Musings of 2013 Part 1

So, I was going to do a top list of my favorite movies and video games of the year. I was also going to do this about a month ago. But with work (mostly work to be honest) I haven't had any free moments to talk about my favorite things of the year in a big long-winded write-up that would probably take me a few hours to do properly. Sure, I could slap-dash everything together, but that's not what I do here in nit-pick city.

Anyway,  so because of that I'm going to talk about some video games and movies that I've seen or played over the last year but have not talked about in depth in any reviews. This doesn't mean they'll never get proper reviews. It simply means that I ran out of time and want to talk about them a bit now.

As you can see by the title of this post, I plan on making this a bit of a series. I'm going to talk about five movies this time and then see what happens in the next post (whenever that comes). My job is actively getting in the way of me having fun or posting now, and I'm sorry about that. Anyway, without further ado, here are some movies for me to talk about a bit:


Monsters University. Bleh, I say. Sorry, Pixar, but your movie was really bleh.

While funny in parts and having a genuinely very solid final third of the movie, it was simply not my kind of flick. I have never seen Monsters Inc. and this movie is probably much more of an homage to that movie than anything else. I am at a clear disadvantage, and while I enjoyed the film I feel like a good deal of what was going on went right over my head. I felt that the "college" part of the story was incredibly derivative though. Not really my style in general, even though I think it is a solidly decent movie, especially for the younger crowd.

Although the message of "if you try real hard you still might fail just because of what you look like" is a cynical one. Apt, but very cynical. I never expected a cartoon's message to be so true to life. Also, the sequence at the end in the cabin is really a brilliant sequence. And that's that.


Much Ado About Nothing was a well-acted, well shot, little Shakespearean film directed by Joss Whedon. While technically released for the indie circuit in 2012, it didn't get a theatrical release or distribution until this year. The play Much Ado About Nothing is my favorite Shakespearean comedy and one of my favorite comedies (in terms of comedy plays) of all time. I really like the story quite a bit, and this is a solid movie besides despite the kind of cheap sets and filming. I enjoyed it although it mostly seemed like the entire film was just Whedon taking a camera around his house, shooting his actor friends speaking Shakespearean dialogue and calling it a day. I don't mind that, but it does seem a little loose around the edges. Amy Acker and Alexis Denisof are really the standouts here in terms of acting. They both do a fantastic job. The rest mostly just kind of show up and say words at a camera. Fran Kranz is another standout. With Cabin and the Woods and this movie, he's looking like a breakout star.

Also- and I know this is heresy- I like this better than Kenneth Branagh's 1993 film. It has a bit more personality. But that's probably just me being weird and liking most of these actors.




Europa Report, which I reviewed here, is a very good space horror found footage film. I really liked it as all of those things. It worked really well, had some very good acting, some great storytelling, and is a movie I can recommend a ton to horror fans. This also happens to be my only actual horror film on this list. Why? I have no idea. Just kind of worked out that way. I guess seeing horror movies in theaters or when they are just coming out is seriously not my priority.


John Dies at the End. Although technically released in 2012 (and I reviewed it then here) it didn't get any real notice until this year. Now, despite what I said in that review, I've warmed on the movie quite a bit. I think it's a near-brilliant film that suffers from some issues, sure, but ultimately does something both unique and bizarre at times. I do wish the book was slightly better adapted- or that they had chosen to adapt only the first half or only the second half of the book rather than jumbling pieces all together, but that's a nitpick, and I know it.

The movie is a very fun ride if you allow yourself to be taken in. I've definitely come down on the side of being very positive about liking this movie though. There's too much of what I like in it to dislike it.


Riddick. I feel bad that I liked this movie. But I did like it. Quite a bit actually. I like all of this series. I have no idea why. I guess space mixed with any amount of horror makes me interested (that's why I love Pitch Black so much), and this movie definitely has those elements to it. This could be both the strongest and the weakest entry in the series so far. With the first half of the movie or so being almost completely silent with Riddick raising a dog and being on his own, it kind of shows the stellar nature of the franchise. It can be so good when it just is allowed to be that good. And that section of this film is easily my favorite part of the series.

The problems arise later on in the movie, mostly being that it's essentially a remake (and a worse remake) of Pitch Black. I don't mind that so much, but I do wish it took a different direction rather than rehashing (basically) what had already been done before and done better before. The gratuitous nudity bothered me, and my fiancee was extremely bothered that Riddick had sex or something with a lesbian. I'm going to leave it there. While this is a flawed movie, it's also a fun ride if you can get into it. I liked it a ton and would love more movies in the franchise. Vin Diesel is one of my favorite action movie guys right now (in addition to Karl Urban and the Rock).

And that's it for now! Stay tuned. I'll have a couple more movie musings soon-ish!

Tuesday, October 30, 2012

Space Horror Mini Movie Appraisals: Prometheus (2012), Pitch Black (2000), and Screamers (1995)

I think it would be pretty cool to review three space horror movies that I haven't gotten around to reviewing yet. While I'd love for all of these movies to have their own reviews, I don't think I have enough to say about these movies to have content enough for full reviews of each. Prometheus itself is so incredibly popular and talked about that there's not much more that I feel I could add to the conversation. Pitch Black, although excellent, only leads me to say one major thing about it, and Screamers, while I have the most to say about that movie, has a simple yet effective story, but little else to offer.

So, starting with Prometheus, this prequel to Alien, made by the same director as that movie, Ridley Scott. It was his first time returning to the franchise since Alien and... yeah... I have a lot of the same problems with this movie that I had with the first one. While I think the movie looks absolutely gorgeous (and it really does) it relies heavily on CGI, even if that CGI is some of the best I've ever seen. The story itself is fairly bland, full of plotholes, characterization misses, and generic alien environments. It doesn't fit well looks-wise into the Alien franchise, and *probably* should have been a completely new franchise that works on its own without the Alien franchise limiting it. Now, I love Aliens, but that doesn't mean that any other movie in the franchise really appeals to me. I also truly think that this movie, even while having those stunning visuals, is basically a really awful movie.

I hate the acting. The characters, except for David, are largely uninteresting, have no discernible or qualifying features, and are really, really flat in general. David, played by Michael Fassbender, is brilliant though, and he continues the legacy of all the Alien films I've seen having the best character (and actor) being an android. The plot makes literally no sense to me. As a biology major with a concentration in genetics, I have no idea why the archaeologists somehow figure that the "Engineers" created humans or why these archaeologists have any say when it comes to actual genetic samples that need interpreting. Look, you have a biologist for a reason and you're supposed to use him... I mean, yes, he dies quickly and stupidly, but the plot could have been worked better. I'll even throw out my own hypothesis here: If the DNA of the Engineers and humans are the same, then that points out that we are probably descended from them rather than created by them. It would make a great deal more sense serving as a hypothesis rather than humans being created and still being 99.9% similar to chimpanzees in the end anyway. It basically dissolves the theory of evolution, which would be a pretty ignorant thing to do (no offense meant, but it is the best explanation of why genetic material is so similar even across large taxonomic gaps). I truly wish more thought would have been put into the science rather than the visuals, but... what is a big-budget film these days except a movie that puts style over substance?

Other complaints are more varied, including complaints about make-up, random dead people not being dead anymore for some reason, and a male only operating tube thing. None of those make me happy. They're all terrible and stick out in a movie that should be much better structured all around with a powerhouse of a director, and a ton of money behind it. I really wondered why some of the make-up effects were so bad, particularly on Guy Pearce's character. I have to mention him specifically because he looked just plain silly. The movie also delivers no tension, no real character moments, and a generally ridiculous plot that makes no sense and ultimately ends with a whimper. This isn't horror so much as stupid.

I can't help disliking this movie. I can't recommend it. If you want a good Alien movie watch the first movie or Aliens. Avoid this one.

Pitch Black is all kinds of brilliant. I've seen the theatrical version, the edited for TV version, and the Director's Cut, and I've loved them all. It's a wonderful film no matter how you watch it and a great space horror flick to boot. I can't recommend it enough if you want a really good horror movie, a really good space movie, or a really well acted story and character based movie. Riddick has quickly become one of my favorite characters movie fiction. While I don't like the second Riddick movie anywhere near as much, this one really works on every discernible level. Vin Diesel plays the perfect Riddick. It was like the role was made for him and him alone, and that's not something I say about most characters and their actors. Nobody else could ever play Riddick, and that's about the highest praise I could give about a character. Radha Mitchell also does a great job as Carolyn Fry, pulling out a surprisingly emotional performance that I thoroughly enjoyed.

While the plot is simplistic, I think it works incredibly well. I love the characters, the situation, the beginning, the end, and the middle. It is one of my favorite movies I newly saw this year. I can't help recommending this film as much as I possibly can. Watch this movie if you want a movie sort of like the Alien movies, but all kinds of different nonetheless. I found this movie incredibly enjoyable, much more enjoyable than any Alien film, and easily one of the best horror movies taking place in space/on another planet outside of Pandorum, Sunshine, and Event Horizon. It is horrific in all the right ways, has some great directing courtesy of the wonderful David Twohy, some pitch-perfect visuals, and an alien that rivals the alien from the Alien series for purely horrific and terrifying. If you haven't seen this movie you need to.

Screamers, a movie about opposing military bunkers on a planet with an important natural resource during a civil war, has an incredibly complex plot, some really interesting moments, and harbors one of the better stories I've seen in movies of this time period. Based off of Philip K. Dick's short story "Second Variety" and starring Peter Weller, I don't think I could easily dislike this movie. It has some similarities to Dick's Blade Runner as well, specifically the reliance on robots/androids for things humans cannot or will not do. In this case the robots are killing machines bent on destroying the other side of the conflict with no ethical reservations. These robots eventually start evolving, become closer to human, but never having emotions, and always bent on destruction... uh... kind of.

I guess there is some room for the robots to evolve and at least one (maybe two) of the robots seemed to develop quirks in their personalities, specifically in regards to either having emotions (love and hate) or being able to pass well as humans. The robots are named "screamers" because when they attack they give off a high-pitched shrieking sound, whether they are little underground robot or more evolved models.

The human robots seem to be both creepy and heavily advanced from humans. They can pass as humans, among humans, for days without being found out, but just like in Blade Runner their fatal flaw is that they cannot pass perfectly. In this case they show their true colors by having tics and random repeats of certain phrases or motions. Also a model will look the same as a model of the same type, which is convenient. This movie features some blood and gore, but a decent amount of actual tension as well to create the horrific atmosphere. When the main characters are in the enemy bunker they've been going towards for half of the movie to help sign a peace treaty between the two sides, but find it tomb-like and full of death- well, I don't remember too many other moments that were quite as effective at creeping me out in other movies of this type. It's actually funny just how creepy an army of murderous robotic children screaming at you can be. I would have never expected that particular thing to be terrifying.

All-in-all, this movie is fun even if it is not perfect. I would call it average if not for a few wonderfully tense scenes towards the middle and at the end of the film. Check it out if it sounds interesting. I enjoyed it much more than I thought I would.