"I think you might want to try reading a book every now and then to get those creative juices flowing, it sounds like your brain and thinking capacity has disappeared somewhere within your exaggerated sense of self worth."
Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts
Saturday, October 5, 2013
Movie Appraisal: Retribution (Sakebi) (叫) (Scream) (Shriek) (2006)
Well, that was a movie I did not enjoy. While it is the fourth movie in the J-Horror Theater series of movies, and it is directed by Kiyoshi Kurosawa, it just does not do enough to be interesting. I was quite fond of 2001's Kairo but this movie just does not deliver on many of the same fronts that other better horror movies have. I found this movie to be very slow, something I usually like, but also just kind of odd in places. It was so slow as to become very dry and somewhat boring, and it never really did anything. The shots were sterile, the plot was fairly dull and predictable, and the acting, something I usually praise, was subpar.
The confusing plot did not help this film. And it's not as if the plot isn't spelled out either, but the confusion is more about why everything is happening the way it does. Why does the lady in red's ghost seem so powerful? She's so powerful that she can bring about the deaths of everyone? I mean, that's the point, right? That's ridiculous. I know it's also the ending, but even before that, I found little about this movie to like.
Most of the characters do not work for me. They never feel real or emotional. They never feel like people. They feel like set-pieces and window-dressing. The acting made me bored out of my skull as well. I'm not looking for overly complex screaming and emotional acting, but there has to be something more than what was given. The shots of the actors were so sterile and separate from the movie as well that I found it very hard to relate to those characters. It was incredibly disappointing because I went into this movie with a great deal of hope for something compelling.
Anyway, the plot is basically about a detective following a murder case (and eventually a string of murder cases) that involves drowning in sea water. It is very procedural, trying to find the suspect, and the detective being his own prime suspect for a while, which just kind of goes nowhere and is really dumb. He eventually starts seeing what he thinks is the murdered girl's ghost, but it isn't. It's just another girl in a red dress who happens to be a ghost. It just feels very silly and very uninteresting.
The movie is never scary. The red dress ghost is simply kind of goofy looking. She never looks like she belongs in a single scene. It doesn't work, whatever they did in the shooting of this film, and it makes the whole premise not only ridiculous but really bland as well. You can tell that they wanted to create a new horror icon about a creepy girl, but a ninety pound young woman will never be scary, okay? Horror movies, do you understand that? Young women are not scary by themselves just staring or saying weird things. You have to have more than that. Give me some tension or show me less or something.
I simply want to sigh and stop talking about this movie. I did not enjoy it in the slightest. I think others might, but for me the plot and the premise were too silly for me to take seriously. And without any scares this is hardly a horror movie. I've seen others place it in a mystery movie category, but even that's not right because so much of this movie isn't mystery so much as "Oh, we forgot to tell you major plot points!" I mean, the detective's girlfriend just happened to be murdered six months previous despite her having appeared in three-quarters of the movie seemingly perfectly fine. Why even do that? It just makes the whole thing needlessly complex. I get that the whole movie is basically an apocalyptic scenario over collective guilt or whatever, but it's so badly portrayed. It doesn't work on so many levels. And while I tend to like slow-burning horror, this movie has so many convenient excuses for plot that it bordered on actual bad plot writing.
I think many people might enjoy this one, but I certainly did not. I wholly do not recommend this movie, and would actively tell people to avoid it. There are some decent scenes here and there, but nothing interesting enough to recommend the whole movie. The music (and lack thereof at times) is fairly well done. And... I guess I really did like one scene, when the detective's partner disappears or is dragged into a bowl of water. It was well done. And it was perhaps the only scene that was.
It's disappointing to me because I found Kairo so compelling. It was a movie I remembered for years and years, and this movie will go down in my mind and my review as a forgettable and jumbled mess.
Labels:
2006,
Detective,
Ghost,
J-Horror Theater,
Japanese,
Japanese Horror?,
Kiyoshi Kurosawa,
Mediocre,
Movie Appraisal,
Not Good,
October Nights 4,
Retribution,
Sakebi,
Scream,
Shriek,
叫
Sunday, October 21, 2012
Anime Analysis/Series Criticism: Puella Magi Madoka Magica (2011)
What can I say about this? What can I say that hasn't already been said? How can I add my little spin of thought to a "conversation" that's been ongoing while I've been in the dark? Mostly, how can this show be so good and SO DARK while having that happy little poster image up there. I'm putting this in my October reviews month for precisely the reason that this series has its elements of horror, can sometimes be very hard to watch, and is way too good to not recommend to anybody. While this is a fairly short series (12 episodes long, I assume that counts as short even with anime like this. I suppose I could be wrong though.) I never expected it to be so good. I also never expected this to be so horrific. I so was unsure if I would or could enjoy it at all. I have said MANY TIMES I am the exact opposite of a manga or anime fan, sometimes going to the other extreme and hating them completely and admittedly unjustly. I tried out Junji Ito's stuff on a recommendation and really fell in love with what he could do with both stories, worlds, and characters. Even if a lot of his stuff is kind of same-y or a little dumb, I enjoyed so much of his stuff (although admittedly I didn't really like the movies based off of his works) that I thought that I might be able to give this series a try without hatred clouding my judgment.
My girlfriend and a very good friend of mine both recommended this to me. They've actually both been recommending it to me for the better part of a year, and mostly I kind of ignored them, thinking that there was no way that this could be my type of thing. I'm a hardcore male who loves horror, great books, and serious business stories. I didn't think an anime about magical girls in fanservice costumes would be for me. How could I? Look at that art up there and tell me where the horror is. Tell me where the sadness and beauty of the piece is shown. All I see are two girls and flashy colors and stupidity, not the quality I was promised. Thus, I avoided the series. I avoided it for a year or longer. I avoided it until this week when after we all went to the New York Comic Convention together, both my girlfriend and my friend told me in no uncertain terms that I had to see this anime. Sure, I still balked at it at the time, but then I watched it. I watched it and watched it... and after watching it all... well, now I understand why they were so insistent.
I will say for anybody who hasn't seen it, this will have no spoilers, and thus not be the greatest review of all time. I'll say my thoughts as easily and simply as I can and concentrate on the horror aspects as much as I can. I'll speak in generalities because this is a series that should not be spoiled. I have been told by the internet that this series is already spoiled to everyone, but somehow I avoided every spoiler, so I want to give anybody else that same courtesy.
First off, if you are watching, make sure you watch through the third episode. Also, watch it here! I provided you a link. It's that easy to watch. Please take advantage of it if you have never seen it! As I was saying, watch through the third episode. The first two episodes are set up, and frankly are the two worst in the show. I actually was going to quit watching because those episodes did nothing for me. It introduced some of the main cast and was generally kind of boring. I mean, yes, you might get more out of it in multiple viewings (you almost certainly will actually), but watching it the first time just makes the entire series look like some weird Sailor Moon rip-off. (I've also never watched that series, but you have to realized I'm generalizing to what I know. I've always heard that Sailor Moon is a silly anime with girls turning into MAGIC girls with a MAGIC transformation so they can use MAGIC for some reason... I'm assuming against foes! All the while not being interesting to me in the slightest. Because even writing that description has put me to sleep in real life.) But this series, this Puella Magi Madoka Magica is something of a deconstruction... or at the very least a subversion to every magical girl series out there. It takes the basic premise and makes it both realistic and frightening. It's not about spunky girls in skimpy clothing. It's about the fight. It's about what one loses while fighting as well.
The story here is brilliant, alternating between character developments and story plot seamlessly. The character moments range from sweet to heartbreaking. And every major character has a backstory. They all have something that makes you care about them as both characters and people struggling to do what they need to do to counter the witch threat, Yes, witches are the main enemy of this series, but they are not like any witch I've ever seen before. Ranging from the cute Charlotte
all the way to the hideous Gertrud
the series shifts in styles at a drop of a hat when witches are involved. They, the witches, also comprise the major horror elements of the series. Well, them and Kyubey up there.
There is something intrinsically creepy throughout the series. The main premise, once you learn it, is undeniably creepy, but so also is the disconnect between the gravity of the situation for the girls and their outlooks on the situations. I am not easily horrified or made to stare slackjawed as something awful happens, but this anime caused me to do that more than once. The overly cute art-style may seem irresistible at first, but it hides a much darker face and makes the terrible things that happen throughout the series that much harder to swallow. Things like that should not happen to these cutesy anime girls. It's not really allowed in our conscious mind... or at least not mine. I've been taught that cute does not equal creepy or emotional or scary. And I was wrong. This series proved me wrong. My mindset was wrong.
While the series does have moments about the POWER OF FRIENDSHIP, it's incredibly well done, and seems to more often than not rely on one of the girls dealing with problems on her own without any friends to help her at all. I like that. I like how it's not always friends that can help. Sometimes it has to be up to yourself to seal your own fate, one way... or the other. It's brilliant and beautiful and works so well. The sadness emanating from this series is terrifying in its own right, leading to a singularity of darkness and broken characters. I've... well, I've never quite seen that before. I've never seen the amount of broken and scared characters. I've never imagined the horror that these "magical girls" might have to go through (probably specifically because I've avoided those series like THE PLAGUE) nor have I ever thought about what the cost might be to sell your soul. I've heard the series compared to Faust, and it's pretty obvious why once you understand exactly what is happening.
As for everything else, I love the art shifts throughout the series, specifically when witches are involved. It makes the disconnect and the fear factor both go up infinitely. I love the character interactions and the character decisions, even the more over-the-top ones. I love that each character and mindset is different, and I love how everything about that is consistent. The series wows from Episode 3 onward and never stops. It only gets better as it goes.
While the series has no direct gore, it really is for an older audience. It's incredibly dark, even as an intelligent deconstruction and criticism of the genre. It's not happy days and gumdrops while it attempts and succeeds at showing a darker side of what a magical girl actually means. It's brilliant in scope, terrifying in implications, and well done all around. The music is really awesome as well and sometimes has GREATER IMPLICATIONS for the story as a whole than you might think. I have to say I like that a great deal. I also like how the "Chosen One" in this series is not just random. There's a reason for everything, and I don't think I'll ever not like that happening in fiction.
Anyway, I wish I could say more. I wish I could rant and rave and rant and rave forever and spoil every little thing and say exactly what I like and hate. But I can't. I don't think I should. Hopefully, if you haven't watched the series, this small generalized analysis will give you some interest in the series. If it does, watch it. Watch it at least until the end of Episode 3. If you're lukewarm even then, then Episode 8 is also fantastic... and 10 is by far the best in the entire series. I can't help recommending this. It is incredible and just a great ride. The horror elements are well done. The story elements are well done. The subversion and deconstruction and criticism are well handled. The characters are all meaningful and written wonderfully.
I don't know if I'll ever like another anime series, but this one... this one is near-perfect. It's unforgettable, and will stick with me for a long, long time to come.
My girlfriend and a very good friend of mine both recommended this to me. They've actually both been recommending it to me for the better part of a year, and mostly I kind of ignored them, thinking that there was no way that this could be my type of thing. I'm a hardcore male who loves horror, great books, and serious business stories. I didn't think an anime about magical girls in fanservice costumes would be for me. How could I? Look at that art up there and tell me where the horror is. Tell me where the sadness and beauty of the piece is shown. All I see are two girls and flashy colors and stupidity, not the quality I was promised. Thus, I avoided the series. I avoided it for a year or longer. I avoided it until this week when after we all went to the New York Comic Convention together, both my girlfriend and my friend told me in no uncertain terms that I had to see this anime. Sure, I still balked at it at the time, but then I watched it. I watched it and watched it... and after watching it all... well, now I understand why they were so insistent.
I will say for anybody who hasn't seen it, this will have no spoilers, and thus not be the greatest review of all time. I'll say my thoughts as easily and simply as I can and concentrate on the horror aspects as much as I can. I'll speak in generalities because this is a series that should not be spoiled. I have been told by the internet that this series is already spoiled to everyone, but somehow I avoided every spoiler, so I want to give anybody else that same courtesy.
First off, if you are watching, make sure you watch through the third episode. Also, watch it here! I provided you a link. It's that easy to watch. Please take advantage of it if you have never seen it! As I was saying, watch through the third episode. The first two episodes are set up, and frankly are the two worst in the show. I actually was going to quit watching because those episodes did nothing for me. It introduced some of the main cast and was generally kind of boring. I mean, yes, you might get more out of it in multiple viewings (you almost certainly will actually), but watching it the first time just makes the entire series look like some weird Sailor Moon rip-off. (I've also never watched that series, but you have to realized I'm generalizing to what I know. I've always heard that Sailor Moon is a silly anime with girls turning into MAGIC girls with a MAGIC transformation so they can use MAGIC for some reason... I'm assuming against foes! All the while not being interesting to me in the slightest. Because even writing that description has put me to sleep in real life.) But this series, this Puella Magi Madoka Magica is something of a deconstruction... or at the very least a subversion to every magical girl series out there. It takes the basic premise and makes it both realistic and frightening. It's not about spunky girls in skimpy clothing. It's about the fight. It's about what one loses while fighting as well.
The story here is brilliant, alternating between character developments and story plot seamlessly. The character moments range from sweet to heartbreaking. And every major character has a backstory. They all have something that makes you care about them as both characters and people struggling to do what they need to do to counter the witch threat, Yes, witches are the main enemy of this series, but they are not like any witch I've ever seen before. Ranging from the cute Charlotte
all the way to the hideous Gertrud
the series shifts in styles at a drop of a hat when witches are involved. They, the witches, also comprise the major horror elements of the series. Well, them and Kyubey up there.
![]() |
| Or rather right here. |
There is something intrinsically creepy throughout the series. The main premise, once you learn it, is undeniably creepy, but so also is the disconnect between the gravity of the situation for the girls and their outlooks on the situations. I am not easily horrified or made to stare slackjawed as something awful happens, but this anime caused me to do that more than once. The overly cute art-style may seem irresistible at first, but it hides a much darker face and makes the terrible things that happen throughout the series that much harder to swallow. Things like that should not happen to these cutesy anime girls. It's not really allowed in our conscious mind... or at least not mine. I've been taught that cute does not equal creepy or emotional or scary. And I was wrong. This series proved me wrong. My mindset was wrong.
While the series does have moments about the POWER OF FRIENDSHIP, it's incredibly well done, and seems to more often than not rely on one of the girls dealing with problems on her own without any friends to help her at all. I like that. I like how it's not always friends that can help. Sometimes it has to be up to yourself to seal your own fate, one way... or the other. It's brilliant and beautiful and works so well. The sadness emanating from this series is terrifying in its own right, leading to a singularity of darkness and broken characters. I've... well, I've never quite seen that before. I've never seen the amount of broken and scared characters. I've never imagined the horror that these "magical girls" might have to go through (probably specifically because I've avoided those series like THE PLAGUE) nor have I ever thought about what the cost might be to sell your soul. I've heard the series compared to Faust, and it's pretty obvious why once you understand exactly what is happening.
As for everything else, I love the art shifts throughout the series, specifically when witches are involved. It makes the disconnect and the fear factor both go up infinitely. I love the character interactions and the character decisions, even the more over-the-top ones. I love that each character and mindset is different, and I love how everything about that is consistent. The series wows from Episode 3 onward and never stops. It only gets better as it goes.
While the series has no direct gore, it really is for an older audience. It's incredibly dark, even as an intelligent deconstruction and criticism of the genre. It's not happy days and gumdrops while it attempts and succeeds at showing a darker side of what a magical girl actually means. It's brilliant in scope, terrifying in implications, and well done all around. The music is really awesome as well and sometimes has GREATER IMPLICATIONS for the story as a whole than you might think. I have to say I like that a great deal. I also like how the "Chosen One" in this series is not just random. There's a reason for everything, and I don't think I'll ever not like that happening in fiction.
Anyway, I wish I could say more. I wish I could rant and rave and rant and rave forever and spoil every little thing and say exactly what I like and hate. But I can't. I don't think I should. Hopefully, if you haven't watched the series, this small generalized analysis will give you some interest in the series. If it does, watch it. Watch it at least until the end of Episode 3. If you're lukewarm even then, then Episode 8 is also fantastic... and 10 is by far the best in the entire series. I can't help recommending this. It is incredible and just a great ride. The horror elements are well done. The story elements are well done. The subversion and deconstruction and criticism are well handled. The characters are all meaningful and written wonderfully.
I don't know if I'll ever like another anime series, but this one... this one is near-perfect. It's unforgettable, and will stick with me for a long, long time to come.
Friday, June 8, 2012
Manga Judgment: Black Paradox (ブラックパラドクス) by Junji Ito (伊藤 潤二) (2009)
Well, I never thought that the day would come when I would not only be reading a manga, but would be actively reviewing it on my blog here. I've read a few of Junji Ito's works recently, and I have to say that I like most of them even if I don't love most of them. A little while ago I reviewed the movie version of Uzumaki and found it a little ridiculous, but I really liked the manga version. I especially liked the ending which reminded me of House of Leaves, which remains my favorite novel.
Anyway, Black Paradox is no Uzumaki. I don't know exactly how to proceed with reviewing this. It's a new type of review I'm trying out here and hopefully this works. I'm also finding this strangely ironic because this weekend I'm off to an anime convention with my girlfriend (She's into this stuff a great deal more than I ever could or would be, and I'll be joining her for that kind of insanity...), so I guess this is as fitting a time as any to do a review of a manga.
See, I had personal reasons for disliking manga and anime for the longest time. I had seen people literally consumed by these ways of storytelling. Certain types of anime and manga tend to breed fanboys and fangirls who eat, breathe, and live these stories. I found it out the hard way more than once. Socially awkward anime fans... an ex-girlfriend who paid more attention to her Japanese animes and manga than she ever would to me... and some of the weirdest fetishes I have ever heard of outside of the internet. I still don't understand Yuri and Yaoi, and I really don't want to understand them. Blast it, last year I was at the same convention I'm going to this year and in a panel I was sitting in on, hardcore Yaoi conversations started up with young children in the same room! Kingdom Hearts fans are a little hard to understand at times... and teenagers and adults should know better than to be sick enough to speak about cartoon relationships and sex around young children who enjoy essentially a children's video game series.
I throw all of these things out there because, as I've mentioned before on this blog, I have a bias against anime and manga. So when I say I like something in those media, like Uzumaki or Miyazaki and his films, it really does mean something special. Trust me on that one.
So, my girlfriend, bless her crazy head, introduced me to Junji Ito not long ago. She mentioned it in an offhand type of way, something about a horror manga I might enjoy if I gave these things a chance. She set me off to reading it, but I doubt she ever really expected that I would with my bias against the entire medium. She was shocked, literally shocked, when I told her that not only had I read some manga, but that I had enjoyed it. It's new for her, seeing me actually enjoy something that she's been into long before I met her and not complaining about it, not hating on it, but actually reading it, even recommending certain stories to her! She finds it funny, but I don't like having the bias against this medium. I've had some bad experiences about manga and anime and popular and fetishistic Japanese things, so I never thought I'd ever enjoy an anime or manga thing... but I was wrong.
I really like Junji Ito's style and his storytelling. He isn't the best writer in the world, nor is his stuff incredibly horrific like some reviewers tend to think, but he tells a pretty decent story with a good pace in the vein of Lovecraft, the short stories of Stephen King, and early cosmic horror in general. He has some odd tastes, and his characters tend to all have similar looks to them in different stories, but he does a good job at drawing and writing compelling stories. I like the manga he does for the most part. Because I do like a lot of his stuff, allow me to say that I'll probably be doing more reviews of his manga and the movies based off of said manga in the future.
So, let's get started! Black Paradox is not very good.
It's starts off pretty well, with an interesting premise of four people going to commit suicide together for similar reasons, but the story simply falls apart when it gets more complex. The characters barely exist as characters. They are so one-dimensional and shallow. There is no real weight to the story either as many of the characters in it either don't accentuate the seriousness of what's going on or are simply too callous to care. There never seems to be a main character despite one of the characters, Marisol, seeming to take that role in the beginning. Only one character ever seems to even grow throughout the story: Baracchi, and that's only because of some plastic surgery and a convoluted love triangle type of thing that never gets any closure anyway.
There is a mad doctor who is so villainous it's almost comical. He seems to want both of the women in the story without any problem at all. He, conveniently, is the main hinge of the plot, and his villainous behavior and extreme understanding of science and medicine are the only reasons this plot ever even gets off of the ground. I just want to sigh at the convenient story and ridiculously one-sided characters. I will say to Junji Ito's credit that his drawings are mostly superb, and his art shows a dramatic improvement from some of his earlier works even if there is not as much grotesque art, the characters and the backgrounds are much better done in general.
I found the story and plot a little too preposterous to set aside my suspension of disbelief, and constantly found myself wondering why things were happening, why was it these four people? What was going on? and sometimes when those question come into my head, it can be a good thing, but here it felt like a distinctly negative aspect of the manga. I didn't really enjoy reading the story after the second chapter or so, but pushed through because that's how I roll. Again, the art is pretty good, but the story is literally almost laughable and the characters are basically one-dimensional or nonentities.
I did like how Baracchi has a "birthmark" that takes up half of her face. I liked the art there and would have loved to have had her backstory explored. The same goes for all of the characters. I found their backstories so much more interesting than the story presented. Four people going to commit suicide together and are stopped by some weird forces? That sounds amazing to me. But the finished product with body parts opening up to another dimension where souls are stored in jewels of a sort? I don't know. It just didn't do it for me.
The premise is really that weird. These four people can eventually, once their body parts are removed from them, enter into a comically enlarged removed body organ (that's conveniently stored in a tank or a pool) into another dimension to find soul stones that are used for various things like energy expenditure and such. Oh boy... Sure, there's a message in there about people being willing to exploit anything that makes their lives easier, even if it's their own souls... but... hmm... the message I just wrote there actually makes me like the story a little bit more. If the manga was written solely for that message it's still a bad manga, but at least it's trying to say something.
Honestly the idea of the story sounds a hell of a lot better than the execution. Reading through it was almost excruciating, especially when Junji Ito's visuals weren't as strange and amazing as they usually are. No, I;m not contradicting my earlier statements either. His people looked better as did the NORMAL and MUNDANE backgrounds, but his horror elements and creepy art were woefully missing from this piece. I found nothing incredibly memorable, and largely this manga is forgettable and not as good as most of the Junji Ito stuff that I've looked through over the last couple of weeks. I could compare Black Paradox fairly unfavorably to Hellstar Remina (地獄星レミナ), which I thought had some similar elements but was better executed in every single way.
I can't recommend Black Paradox as much as I've enjoyed Junji Ito's works. Go check out Gyo, Uzumaki, or Hellstar Remina long before you waste your time with this one. I didn't enjoy it. I didn't have a good time reading it. I don't think it's really worth reading. I don't think it's the kind of quality I've come to expect from Junji Ito.
Anyway, I may do some more of these Manga Judgments, but expect harsh criticisms at times if I do. This is a style I do not generally like, so it takes something really special to blow me away. I don't want to show my bias, if I can help it, but when something is bad expect me to really scorch the boots off of it. That being said, if I get the inkling to review Hellstar Remina, you'll see me actively loving everything in that one... so much more than Black Paradox. (I said that last in a very derisive tone as I wrote it. Just thought you readers should know.)
Anyway, Black Paradox is no Uzumaki. I don't know exactly how to proceed with reviewing this. It's a new type of review I'm trying out here and hopefully this works. I'm also finding this strangely ironic because this weekend I'm off to an anime convention with my girlfriend (She's into this stuff a great deal more than I ever could or would be, and I'll be joining her for that kind of insanity...), so I guess this is as fitting a time as any to do a review of a manga.
See, I had personal reasons for disliking manga and anime for the longest time. I had seen people literally consumed by these ways of storytelling. Certain types of anime and manga tend to breed fanboys and fangirls who eat, breathe, and live these stories. I found it out the hard way more than once. Socially awkward anime fans... an ex-girlfriend who paid more attention to her Japanese animes and manga than she ever would to me... and some of the weirdest fetishes I have ever heard of outside of the internet. I still don't understand Yuri and Yaoi, and I really don't want to understand them. Blast it, last year I was at the same convention I'm going to this year and in a panel I was sitting in on, hardcore Yaoi conversations started up with young children in the same room! Kingdom Hearts fans are a little hard to understand at times... and teenagers and adults should know better than to be sick enough to speak about cartoon relationships and sex around young children who enjoy essentially a children's video game series.
I throw all of these things out there because, as I've mentioned before on this blog, I have a bias against anime and manga. So when I say I like something in those media, like Uzumaki or Miyazaki and his films, it really does mean something special. Trust me on that one.
So, my girlfriend, bless her crazy head, introduced me to Junji Ito not long ago. She mentioned it in an offhand type of way, something about a horror manga I might enjoy if I gave these things a chance. She set me off to reading it, but I doubt she ever really expected that I would with my bias against the entire medium. She was shocked, literally shocked, when I told her that not only had I read some manga, but that I had enjoyed it. It's new for her, seeing me actually enjoy something that she's been into long before I met her and not complaining about it, not hating on it, but actually reading it, even recommending certain stories to her! She finds it funny, but I don't like having the bias against this medium. I've had some bad experiences about manga and anime and popular and fetishistic Japanese things, so I never thought I'd ever enjoy an anime or manga thing... but I was wrong.
I really like Junji Ito's style and his storytelling. He isn't the best writer in the world, nor is his stuff incredibly horrific like some reviewers tend to think, but he tells a pretty decent story with a good pace in the vein of Lovecraft, the short stories of Stephen King, and early cosmic horror in general. He has some odd tastes, and his characters tend to all have similar looks to them in different stories, but he does a good job at drawing and writing compelling stories. I like the manga he does for the most part. Because I do like a lot of his stuff, allow me to say that I'll probably be doing more reviews of his manga and the movies based off of said manga in the future.
So, let's get started! Black Paradox is not very good.
It's starts off pretty well, with an interesting premise of four people going to commit suicide together for similar reasons, but the story simply falls apart when it gets more complex. The characters barely exist as characters. They are so one-dimensional and shallow. There is no real weight to the story either as many of the characters in it either don't accentuate the seriousness of what's going on or are simply too callous to care. There never seems to be a main character despite one of the characters, Marisol, seeming to take that role in the beginning. Only one character ever seems to even grow throughout the story: Baracchi, and that's only because of some plastic surgery and a convoluted love triangle type of thing that never gets any closure anyway.
There is a mad doctor who is so villainous it's almost comical. He seems to want both of the women in the story without any problem at all. He, conveniently, is the main hinge of the plot, and his villainous behavior and extreme understanding of science and medicine are the only reasons this plot ever even gets off of the ground. I just want to sigh at the convenient story and ridiculously one-sided characters. I will say to Junji Ito's credit that his drawings are mostly superb, and his art shows a dramatic improvement from some of his earlier works even if there is not as much grotesque art, the characters and the backgrounds are much better done in general.
I found the story and plot a little too preposterous to set aside my suspension of disbelief, and constantly found myself wondering why things were happening, why was it these four people? What was going on? and sometimes when those question come into my head, it can be a good thing, but here it felt like a distinctly negative aspect of the manga. I didn't really enjoy reading the story after the second chapter or so, but pushed through because that's how I roll. Again, the art is pretty good, but the story is literally almost laughable and the characters are basically one-dimensional or nonentities.
I did like how Baracchi has a "birthmark" that takes up half of her face. I liked the art there and would have loved to have had her backstory explored. The same goes for all of the characters. I found their backstories so much more interesting than the story presented. Four people going to commit suicide together and are stopped by some weird forces? That sounds amazing to me. But the finished product with body parts opening up to another dimension where souls are stored in jewels of a sort? I don't know. It just didn't do it for me.
The premise is really that weird. These four people can eventually, once their body parts are removed from them, enter into a comically enlarged removed body organ (that's conveniently stored in a tank or a pool) into another dimension to find soul stones that are used for various things like energy expenditure and such. Oh boy... Sure, there's a message in there about people being willing to exploit anything that makes their lives easier, even if it's their own souls... but... hmm... the message I just wrote there actually makes me like the story a little bit more. If the manga was written solely for that message it's still a bad manga, but at least it's trying to say something.
Honestly the idea of the story sounds a hell of a lot better than the execution. Reading through it was almost excruciating, especially when Junji Ito's visuals weren't as strange and amazing as they usually are. No, I;m not contradicting my earlier statements either. His people looked better as did the NORMAL and MUNDANE backgrounds, but his horror elements and creepy art were woefully missing from this piece. I found nothing incredibly memorable, and largely this manga is forgettable and not as good as most of the Junji Ito stuff that I've looked through over the last couple of weeks. I could compare Black Paradox fairly unfavorably to Hellstar Remina (地獄星レミナ), which I thought had some similar elements but was better executed in every single way.
I can't recommend Black Paradox as much as I've enjoyed Junji Ito's works. Go check out Gyo, Uzumaki, or Hellstar Remina long before you waste your time with this one. I didn't enjoy it. I didn't have a good time reading it. I don't think it's really worth reading. I don't think it's the kind of quality I've come to expect from Junji Ito.
Anyway, I may do some more of these Manga Judgments, but expect harsh criticisms at times if I do. This is a style I do not generally like, so it takes something really special to blow me away. I don't want to show my bias, if I can help it, but when something is bad expect me to really scorch the boots off of it. That being said, if I get the inkling to review Hellstar Remina, you'll see me actively loving everything in that one... so much more than Black Paradox. (I said that last in a very derisive tone as I wrote it. Just thought you readers should know.)
Labels:
2009,
Black Paradox,
Body Horror,
Crappy Story,
Flat Characters,
Horror,
Japanese,
Junji Ito,
Manga,
Manga Judgment,
ブラックパラドクス,
伊藤 潤二
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