Showing posts with label Guillermo del Toro. Show all posts
Showing posts with label Guillermo del Toro. Show all posts

Saturday, October 11, 2014

Television Series Examination: The First Season of The Strain (2014)


I haven't reviewed a television series in a good long while. It's a difficult prospect simply because of the hours of content to a series of television shows. Characters are much more complex than they are in movies. Things move much slower as the episodes tend to be EPISODIC in nature, relying more on episode long plots rather than just focusing on the main narrative. It makes the television format incredibly different than movies, and incredibly different to review.

So, I guess my review should be on the merit of the program, how well it works at what it does, and if the characters and plots are compelling enough to make me keep watching over and over again. I think it succeeds in many arenas. I've obviously watched the entire first season, and I've enjoyed it enough to continue watching the second season as well. While I've never read Guillermo del Toro and Chuck Hogan's books about the same story, I find the story compelling nonetheless. I can't compare the written work to what's on the screen, but I do like what's on the screen.

Kind of.

I find the plot compelling in its simplicity. It reminds me of 'Salem's Lot in a big city. And coming from me that's certainly not a bad thing. It uses a plot of a vampire using vampire rules (kind of) to invade and corrupt New York from the inside out. The vampire, The Master, wants to invade the world of men and probably remake them all as this vampire worm-virus thing. He uses a former Nazi as his main lieutenant as well as a sick and dying businessman as his main force to control the information getting into and out of New York City. It's pretty well plotted for the most part, although some episodes are much better than others for that.

The characters are both the biggest issue of the show and the best part of it. For one, most of the actors here are relatively unknown or, at the very least, niche actors. I like that. I like that I don't recognize anybody but Argus Filch from the Harry Potter movies, and what a different character he plays here. The rest are all various forms of interesting, with my personal favorite being  Vasily Fet, who has the oddest human accent I have ever heard. And that's one of the major boons and issues here. The acting varies from fantastic to absolutely atrocious. It has to be something to do with the directors of the episodes or something, because the variance is bad enough to be incredibly noticeable. Vasily (Kevin Durand) is a great example of this. Sometimes he is absolutely questionable in his delivery. There are times that I wonder if he actually comes from this human Earth world. And then there are times when he is incredibly well put together. I don't blame the actor so much for this, although that could be an issue as well, but rather something about the WAY he delivers his lines. And he's not the only one. Every single actor at one point or another (with the exceptions of the Nazi and the Master) has the exact same issue. I've never seen it before. Sometimes one actor will be bad while the rest are perfectly acceptable. Sometimes all of them but one will be incredibly bad. And sometimes they're all fine except for a single line that is delivered in an utterly alien way.

I'm stressing the point, but it is such an important thing to stress. It takes me right out of the show while simultaneously maybe making the characters more human? I have no idea. I mean, I haven't stopped watching, and I enjoy watching it. I think the episodes have gotten better rather than worse as the season has gone on. But there has been so many little issues from the actor, the characters, and the plot. The fights ending in draws without any lasting victories is a big issue. It feels like a maintaining of the status quo rather than moving on with the plot at all. The final episode, although very solid, is exceptionally guilty of this, with the only thing that has really happened with our main cast is that they learned a tiny piece of plot out that they wouldn't have known otherwise.

I can see the acting issues literally forcing people to stop watching the show. It may not be the case absolutely, but I can see people being turned off by it. And I don't blame them even slightly for that. Somehow, it only bothers me when it shows up. Maybe because I've seen such bad acting in movies that slightly off acting really only bothers me slightly. I don't know. I'm focusing on the point though because it is a sticking point, and the one REALLY GLARING issue I have with the show.

I mean everything else is solid. The story is good. The production values are excellent. The make-up is superb, excellent to the point of being one of the best things about the show. And some of the acting is really good as well. The action is also quite good, definitely an important piece of the compelling nature of the show.

I guess the last thing I should talk about is the horror. And let me say that the horror is also quite excellent here. One of my biggest gripes about vampire stories is that they tend to not be scary. Beside Dracula and 'Salem's Lot I would have a very hard time really finding horrific vampire stories. Possibly 30 Days of Night as well. Maybe I Am Legend and The Historian, although neither of those books scared me at all. My point is, while the vampire is my favorite creature, I find very few of their stories compelling or scary. I've listed all of five other works that contain well done vampires that I can think of right this second. While there may be several others, this does not bode well in an age when vampires are considered more for their sexual prowess and passion than for their actual monster status. To me that's incredibly disappointing. I want scary vampires. I want frightening vampires. I want the creatures of the night to make me afraid to go out after dark.

I always have a focus on vampire movies or books with my reviews. The reason is that I love vampires. I love scary vampires. I love Nosferatu and its ilk. I love 'Salem's Lot and what has come from that.  And I love the granddaddy of great vampire stories, Dracula. And I want more of them in the world. Vampires as monster creatures are just so interesting and compelling, and so few people want to do anything with it.

And maybe that's why The Strain means something to me. Maybe that's why, in spite of the so-so pieces of the show at times, it gives me what I want in terms of vampire horror. It makes them scary again, frightening again, and worth it again. I don't think I'll ever forget in the first episode when the Master just slams a man's face into pulp. That's a scary vampire that is absolutely stunning to see on television. And that's really all I have to say. I love this show because it brings fear back to the vampires. And that should be enough of a recommendation from me.

Sunday, July 21, 2013

Movie Appraisal: Pacific Rim (2013)


Hey everybody! So, last weekend I went to see Pacific Rim with my normal theatre viewing crew. We had planned this out for a good long while and were all looking forward to it quite a bit. We went to a midnight showing since any other time wouldn't have worked out for us, and we excitedly waited for the movie to get rolling. Also read this review at your own risk!

We had no previews in our showing, and the movie didn't quite fit the screen which was fairly disappointing. Other than those things, the movie viewing experience was amazing. It is the best of its genre, hands down. I mean, there is no other way to even compare it to other movies. The actions scenes are wonderful, the human elements are actually meaningful and fun, and the CGI is both necessary and incredibly well done.

Come on, look at how awesome this thing looks!
I loved the designs of both the Kaiju (the big goddamn monsters) and the Jaeger (the big goddamn mechs). They worked incredibly well and felt amazingly large. The sense of scale was monumental, something I haven't felt in a theatre since the first time I saw The Fellowship of the Ring and watched the huge statues in that movie go by the fellowship while they were floating by in tiny boats. This movie makes the Kaiju and the Jaegers feel realistically huge. It was so cool.

And yeah, this movie has a lot to do with being cool. It is an experience. The music, the sound, the visuals, and the human stories- they are all experiences within the movie. No, the plot is not new. It's actually pretty cliched and can be easily predicted, but that doesn't mean it hasn't perfected its story. The Kaiju are the perfect antagonists, both alien and immensely terrifying. They have both a strength and a power that a normal person cannot even hope to overcome.

I'm a big damn mech, and I'm going to punch monsters from the depths of Hell.
Pleased to meet you.
It's a story about struggle and survival in an apocalyptic situation. It's also about teamwork (since the Jaegers require two people to make them run) and about just a great time in general. It's a movie that made me smile ear-to-ear more than once. It's also a movie that made me feel a cold sting of mortality at times as well. There are some very dark moments to go with the fun of them movie. And the moments that feel immense also can feel soul-crushingly sad as well.

When the Russian and Chinese Jaeger pilots die, it is a terrible thing. I felt their deaths in a way I rarely feel the deaths of characters within a movie. And these a re characters with no speaking lines either! With a very limited amount of screen time. Guillermo del Toro is that much of a master of his craft. He can make you feel something for characters who are background at best.

The fights are superb, hitting all the right strides and all the right moments. There are enough things that both the Jaeger and the Kaiju do to shake the fights up as well. I mean, suddenly the Jaegers have swords. Suddenly the Kaiju has an EMP. Suddenly there is a rocket elbow. Suddenly the freaking Kaiju has WINGS. All these elements work to make it just a wonderfully entertaining film, full of amazing moments, cool characters, and neat set-pieces.

The background stuff is really interesting as well. I mean both the background of this universe and the scenery itself. Both tell more of the story than the dialogue and characters ever could. It just feels so awe-inspiring. Ever person who is or was a little kid at one point playing with toys and ramming them against one another to fight will understand why this movie is one of the best movies out there period.

Yes, there are negatives. The lack of female characters (although I know I'll be called out on that by someone, just give it time) and some of the sillier things of the movie were a little annoying, but for the most part it is an incredibly fun ride. Easily one of the best movies I've seen in theatres in a long time. I suggest everybody watch this big damn movie. The script, music, and everything else are so awesome that the movie deserves your money and time, it really does.

How can you not love a man who looks like this?
Also, Ron Perlman and his character of Hannibal Chau are crazy awesome. I love that character so much. Also, the two science guys are great as well, and don't even take away from the big story of mechs and monsters punching one another. Is it a dumb movie at times? Sure, I guess. But just because it's a movie about things punching other things doesn't mean it can't be brilliant as well.

Serious recommendation. If you haven't seen it, go and see it!

Also, Hannibal Chau's shoes, because the detail is awesome!

Monday, October 31, 2011

Movie Appraisal: Cronos (1993)

Cronos, the Guillermo del Toro movie, is beautiful and different from anything else I've ever seen. That DVD cover poster right above these words is no indicative of the film itself either, mostly because that right there never actually happens in the movie.


I like del Toro's movies as a rule. I can't think of a single movie of his that I haven't liked. This one was no different. To me it's much better than Pan's Labyrinth, although not quite as good as The Devil's Backbone, which is his best work that I've seen, and I've seen all of his stuff besides Mimic. Cronos is a beautiful take on the vampire genre, making it into something different, alchemical rather than natural or based in evil. The whole movie is a retelling or re-imagining of vampires and how they might work in real life.


The story is actually quite good, starring Federico Luppi as Jesús Gris, an antique dealer who finds a hollow angel statue in his shop that had something strange hidden inside of it. This strange thing, called Cronos, is a device with an insect implanted within it that basically gives the user eternal life and a younger quality to their features.It also gives them an unnatural bloodlust. Vampire film! YES!


A very young Ron Perlman plays the nephew of a dying business man, Claudio Brook, and although his performance is campy and ridiculous, he plays the part so well that it's hard not to like him. He and Claudio Brook play the de la Guardias, who are looking for Cronos so that the elder de la Guardia will not die from his debilitating diseases.


This all comes down to an ultimate and beautifully done conclusion, that is both gruesome and amazing to watch. Absolutely sublime really when it comes down to it.


Cronos was a fantastic film. I really enjoyed it. I can't really think of a better vampire film off the top of my head.  I will say that the English speakers (all two of them) were not as great at acting as the Spanish speakers, but I enjoyed watching both of them regardless of their non-Shakespearean acting skills. 


I thought the music choice in some of it was pretty odd, and some of the stuff going on seemed a little convenient at times, but the story on the whole was really very good. I liked it for being an origin story of vampires, and I thought some of the grittier (or bloodier) scenes were absolutely fantastic. They were lovely to watch as well as being horrifying.

The Devil's Backbone is better in my own mind. Cronos didn't quite reach that level for me, but it was better than Pan's Labyrinth to me, not much better, but better. I think it was because the structure of the story was more coherent and less kind of meaningless. One of the reasons Pan's Labyrinth isn't one of my favorite films is because of the fantasy parts which I feel are pretty much useless and don't fit. I feel like this film fit together much better even if the acting was worse in every scene.



This movie is also very 1990s. It basically reminded me of other great 1990s horror films like... um... Jacob's Ladder for example. The cinematography was remarkably similar in some areas. The horror tropes found within the movie itself are beautifully done, a mix of old vampires myths and stories, and its own new kind of scientific vampire approach. A lot of the horror comes off as a bit campy though, and a little over the top at other times, but I don't think that the bloody or gory scenes were meant to scare. I think the scenes of Gris drinking blood are probably the most gutwrenching and terrifying, because you are seeing what he is becoming and you get the idea that a man can become a vampire without selling his soul, but to survive as a vampire, to have the eternal life of a vampire, the soul must be sold. Drinking human blood tends to make one a monster, and it's absolutely fascinating to watch as Gris makes his ultimate decision.


Anyway, this movie is ridiculously good and needs to be both watched and enjoyed by the masses. I can see why it may not be as well known as other del Toro movie, but this one is really well done and needs to be seen. It's very well done.